Review: Native Instruments Guitar Rig 2
Pages: 1, 2, 3, 4
I guess the bottom line here is: how does it sound? To give you an idea, I recorded a short piece I call "WaddaWadda":
First I took one of the short drum loops bundled with the program and ran it though a couple of different effect chains. Then I grabbed one of the audio clips from the first batch of tests. After that I kinda went nuts. Except for the bass lines, I played everything on my slab guitar, even the parts that sound like synth pads. This tiny taste gives you an idea of the vast amount of sound-shaping potential waiting for you in Guitar Rig 2 (see Figure 9).
Figure 9. Amazingly, this rack of doom doesn't even show Guitar Rig 2's amps. Click here to see the whole schmear.
All of this power comes at a price: you'll need a very fast computer. NI suggests at least 700MHz, but my 2.1GHz PowerMac G5 sometimes bogged down when I ran the software as a plugin in Digital Performer. Granted, I had some pretty huge effects running, but still.
Guitar Rig 2 is a solid contender for recording, particularly if you have an alternate way to get audio in and out of your computer. As I said earlier, if you can't find a satisfactory tone, you aren't trying. The interface is clean and easy to use, but huge amounts of tweakable control lurk just under the hood. I truly love the Loop Machine—rarely have I had so much fun testing software.
NI is committed to upgrading the product and has posted info on achieving the proper latency settings and system tune-ups that make a significant improvement in the audio behavior of the Rig Kontrol 2 interface. After following their tips, I was able to improve performance to where I might even consider using Guitar Rig 2 in a live situation. For an old tube dog, that's saying a lot. Download the demo and check it out.
MSRP |
$579 |
Software |
|
| 8 guitar and bass amp models | |
| 15 guitar cabinet models | |
| 6 bass cabinet models | |
| 4 rotary speaker models | |
| 9 microphone models, plus DI emulation | |
| 35 modeled effects | |
| Metronome & tuner | |
| Loop machine | |
| 2 virtual tape decks for playback and recording | |
| Synth-style modulators | |
| Stand-alone or plugin operation (VST, Audio Units, RTAS, DXI) | |
Hardware |
|
| Rig Kontrol 2 foot controller with 7 switches and assignable rocker pedal | |
| USB audio interface (ASIO, CoreAudio, Direct Sound) | |
| Up to 24-bit, 96kHz audio | |
| 2 Hi-Z inputs with individual volume | |
| Balanced stereo audio out, switchable Hi/Lo-Z | |
| Headphone out with volume | |
| MIDI In/Out | |
| 2 expression pedal jacks | |
System Requirements (Windows) |
|
| Windows XP | |
| 700MHz Pentium (1.4GHz recommended) or 1.4GHz Athlon XP | |
| Windows Service Pack 2 | |
| USB 2.0 | |
System Requirements (Mac) |
|
| Mac OS 10.3 or better | |
| 733MHz G4 or better | |
| Minimum 512MB RAM | |
| USB 2.0 |
Mark Nelson is both an acoustic musician and the author of Getting Started in Computer Music (Thomson Course Technology). He oscillates between Oregon and Hawaii, where he co-produces the Aloha Music Camp.
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